書名: Quantum Leap: from Dirac and Feynman, Across the Universe, to Human Body and Mind
作者: IVANCEVIC VLADIMIR G
ISBN: 9789812819277
出版社: World Scientific
出版日期: 2008/09
書籍開數、尺寸: 23.1x15.7x4.8
頁數: 856
定價: 5032
售價: 4780
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Quantum Leap in English Learning:多益及全民英檢必勝指南(含朗讀MP3 QR Code) (2版)

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A Quantum Leap in Information Theory

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This is an introductory textbook at graduate or advanced undergraduate level. Students with diverse backgrounds, in mathematics, physics and computer science, can use it to become acquainted with the quantum theory of information. Its scope is deliberately chosen to be not too broad, while being self-consistent and usable for a semester-long course for beginners. The subject is presented using a balanced mix of intuitive arguments and rigorous formalism. The emphasis is not on the physical information but rather in the formal and mathematical features of quantum information theory. Only a basic knowledge of algebra is required to understand the contents of this book. In particular, a background in quantum mechanics is not needed, since quantum theory is used as a mere mathematical framework without entering into physical interpretations. The book introduces all necessary concepts from quantum theory and classical information theory, to cover the elements of quantum Shannon theory: quantum states and channels, data compression and entropy, error correcting codes and channel capacities, as well as the basics of entanglement theory and quantum cryptography. Examples are provided to help the reader in understanding the different concepts, together with exercises at the end of each chapter. Sample Chapter(s) PREFACE Chapter 1: PRELUDE Request Inspection Copy Contents: Prelude Information and Entropy: The Classical View A Quantum Primer Mixed Quantum States Information and Entropy: The Quantum View Channel Maps Interlude: Estimation Theory Data Compression Information Transmission Error Correcting Codes Channel Capacities Entanglement Manipulation Cryptography Appendix: Fundamentals of Linear Algebra Solutions to Selected Exercises Readership: Graduate students and researchers from Mathematics and Communication Engineering.

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The modern music industry depends critically on computers. The development of conventional digital computing technology for music has been progressing in tandem with the evolution of computers since the 1950s. Therefore, future developments in quantum computing are most likely to impact the way in which musicians will create, perform, and conduct research. Classical computers manipulate information represented in terms of binary digits, each of, which can be equal to 1 (on) or 0 (off). They work with microprocessors made up of billions of tiny switches that are activated by electric signals. In contrast, a quantum computer deals with information in terms of quantum bits (qubits), which can operate at the subatomic level. In other words, they directly work in the realm of quantum physics. Since they can run algorithms that are non-tractable to run on digital computers, quantum computers are surfacing as a promising disruptive technology. Advances in Quantum Computer Music collates a comprehensive collection of chapters by pioneers of emerging interdisciplinary research at the crossroads of quantum computing and music. Together, these pioneers hope to anticipate and prototype the unprecedented new uses for this technology that are bound to emerge from their cutting-edge research. Sample Chapter(s) Foreword Chapter 1: Sonifications of Quantum Superpositions: Methods and Musical Applications Contents: Sonifications of Quantum Superpositions: Methods and Musical Applications (Walker Smith, Dmitri Volkov and Alex Alani) Quantum Feedback Delay Networks (Davide Rocchesso) Exploring Quantum Phenomena through Sound: Strategies, Challenges, and Insights (Reiko Yamada, Eloy Piñol, Samuele Grandi, Jakub Zakrzewski and Maciej Lewenstein) Quantum Memory: Measuring the Degree of Non-Markovianity of Orchestral Music (Maria Mannone and Omar Costa Hamido) An Introduction to Quantum Probability Amplitude Modulation (QPAM) from a Compositional Perspective (Eren Utku) Investigating the usefulness of Quantum Blur in Music (Marcel Pfaffhauser and James Wootton) Qubit Instrumentation of Entanglement (Mark Carney) Developing a Framework for Sonifying Variational Quantum Algorithms: Implications for Music Composition (Paulo Vitor Itaboraí, Peter Thomas, Arianna Crippa, Karl Jansen, Tim Schwägerl and María Aguado Yáñez) Music AI with Quantum Reservoir Computing (Eduardo Reck Miranda and Hari Vignesh Shaji) Readership: Academic community and researchers in the field of Unconventional Computing, specifically Quantum Computing, musicians interested and/or working with Music Technology, and students and science journalists interested in arts-science topics.

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